|Photo courtesy of and © 2019 Derbyshire Record Office|
It was easy to dismiss or set aside Miertsching's account of the headboards as being black, even when it was echoed by Robert Goodsir -- by his account the first person to stand beside them after Erebus and Terror departed. And yet, thanks to a fortuitous discovery among the Franklin materials at the Derbyshire Record Office, we now have an image that shows -- definitively -- that they were originally black, with the incised lettering in white.
The discovery was made by assistant conservator Clare Mosley, who discovered the photo carefully lain within a volume of "Arctic Scraps"(as in scrapbook) atop two newspaper clippings. These clippings appear to date to the period between June and September of 1851, which might possibly help date the photo. Since the other exposures made at Beechey by Leopold McClintock and Dr. David Walker date to 1858, if the photo is from 1851 it is by far the earliest. Like McClintock's and Walker's, it is a paper positive print made using the Calotype or "Talbotype" process, but its dimensions don't correspond with theirs (since Calotype cameras used a wooden frame to hold the sensitized paper, and all prints were "contact" prints, each camera produces prints of the same size). Research is ongoing to determine whether anything more can be learned about the image from other materials in the archives.
There are still more mysteries, it seems, yet to be probed when it comes to the graves of Beechey Island.
NB: The Derbyshire Record Office is in the midst of a fundraising campaign that I urge all readers of this blog to consider supporting: check out the Lady Jane's Museum Crowdfunder website where you can learn more, and make a contribution to this very worthy effort. Discoveries such as this one are a dramatic example of the enormous value of archival work that is being done at local and regional archives such as the DRO.